Turning the Place Over is artist Richard Wilson’s most radical intervention into architecture to date, turning a building literally inside out

Transient in nature, and taking place across the city’s public transport, parks and urban spaces , Visible Virals spread across the city in 2008

The Pavilions project took the form of three large-scale, temporary creative spaces in the Liverpool neighbourhoods of Kirkdale, Garston and Kensington

The Pavilions project took the form of three large-scale, temporary creative spaces in the Liverpool neighbourhoods of Kirkdale, Garston and Kensington

The Pavilions project took the form of three large-scale, temporary creative spaces in the Liverpool neighbourhoods of Kirkdale, Garston and Kensington

U-Ram Choe's commission for MADE UP explores medieval fantasy, the seductive appearance of reflected sunlight on the moon and mysterious energy sources

In Romantic Delusions Just explores humanity’s longing for union, and the inevitable frictions that haunt the meeting of opposites

Alison Jackson moves from the two-dimensionalinto three-dimensional space to continue to explore the extent to which celebrity dominates our ’real lives‘

In Gleaming Lights of the Souls visitors are invited to enter a tardis-like chamber, whose small interior unfolds into a magical encounter

As ‘artworks’, Karvonen’s signs are easy to miss. Yet in speaking the language of urban life so fluently, they encourage us to see what is right under our noses

For MADE UP, Ai Weiwei spins a web of light across the entirety of Liverpool’s Exchange Flags, with a crystal studded spider at the heart of the intricate steel

David Altmejd continues his long-standing preoccupation with myth, folklore and science fiction in a work that is at once plausible and fantastical

Conceived to further explore the theme of ‘Made Up’, The Drawing Room highlights the importance of the medium of drawing

Stranger than Fiction presents a number of works that reference sensory deprivation and the unearthing of memory, objects and history

Guy Ben-Ner’s video, based on an Aesop fable, blurs the boundaries between fact and fiction and examines the relationships of the trainer and the trained

Playfully reinventing the tradition of the public park, Arbores Laetae consists of 17 hornbeam trees, at the centre of which three slowly rotate

Omer Fast's video installation mixes languages, genres and techniques of cinema to unravel the intricate processes through which historical facts are recorded

With customary deadpan humour, Rodney Graham continues his conversation with the myth of the American West, questioning the 'true' origin of every Western scene

Situated on a derelict site, Rockscape brings an open air theatre to the city centre, with Liverpool itself taking centre stage

Manfredi Beninati’s installations transport us to fictitious worlds, redolent of dreams and half forgotten memories

Through video, performance and comic strips as the Barefoot Lone Pilgrim, David Blandy integrates real life and virtual adventures

Cvijanovic’s installation rests upon classical mnemonics; places, real or schematic,used as an ordering framework to trigger memories of extended concepts